Monotypes - Mixed Media - Collage
Fictional Matter: morphologic shifts |
Through my artwork, I explore scientific processes, human biology and behavior, these are my "musings." In Fictional Matter: Morphologic Shifts, I investigate the microscopic world of corpuscles, "small floating bodies," placing them in a newly abstracted environment.
Images were extracted from the title, Corpuscles. I removed them from their intended reference and reintegrated them as shifting elemental creatures in a constructed microcosm à la a Container Corporation of America style. |
Fictional Matter: Morphologic Shifts
No. 1 Golden Open acrylics, wet-strength tissue, book images, and Bristol board 24" X 18 " 2025 |
Fictional Matter: Morphologic Shifts
No. 2 Golden Open acrylics, wet-strength tissue, book images, and Bristol board 24" X 18 " 2025 |
Fictional Matter: Morphologic Shifts
No. 3 Golden Open acrylics, wet-strength tissue, book images, and Bristol board 24" X 18 " 2025 |
Fictional Matter: Morphologic Shifts
No. 4 Golden Open acrylics, wet-strength tissue, book images, and Bristol board 24" X 18 " 2025 |
Additions
Additions No.1
Golden Open acrylics, wet-strength tissue, deli paper 2025 |
Additions No.2
Golden Open acrylics, wet-strength tissue, magazine cutouts 2025 |
Additions No.3
Golden Open acrylics, rice paper, deli paper, wet-strength tissue, magazine cutouts 2025 |
Additions No.4
Golden Open acrylics, rice paper, deli paper, wet-strength tissue, magazine cutouts 2025 |
Amorphous Construction No. 1
Acrylics, packing tape 2024 |
Amorphous Construction No. 2
Acrylics, packing tape 2024 |
Amorphous Construction No. 3
Acrylics, packing tape 2024 |
Amorphous Construction No. 4
Acrylics, packing tape 2024 |
Parts to a Whole
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They are constructed from refuse boxes that have been deconstructed, printed, and reassembled. Layered values push and pull between revelation and obscurity.
These abstraction are an expression of the human mind reflecting the creative response and the desire for aesthetic balance. Its basic formula is the construction of the whole from the individuality of its elements. |
Parts to a Whole No.1
Golden Open acrylics, box parts, Bristol board 17" X 14" 2025 
Parts to a Whole: Construction No.1
Golden Open acrylics, wet-strength tissue, drawing paper, cold wax, mounted on cradle board 20" X 16" 2025 |
Parts to a Whole No.2
Golden Open acrylics, box parts, Bristol board 17" X 14" 2025 
Parts to a Whole: Construction No.2
Golden Open acrylics, wet-strength tissue, drawing paper, cold wax, mounted on cradle board 10" X 8" |
Parts to a Whole No.3
Golden Open acrylics, box parts, Bristol board, refuse tea bags 17" X 14" 2025 
Parts to a Whole: Construction No.3
Golden Open acrylics, wet-strength tissue, drawing paper, cold wax, mounted on cradle board 10" X 8" |
Parts to a Whole No.4
Golden Open acrylics, box parts, Bristol board, refuse tea bags 17" X 14" 2025 
Parts to a Whole: Construction No.4
Golden Open acrylics, wet-strength tissue, drawing paper, cold wax, mounted on cradle board 10" X 8" |
Botanical Infusion
Botanical Infusion No. 1
Acrylics, wet-strength tissue paper 14" X 12" 2025 
Botanical Infusion No. 5
Acrylics, wet-strength tissue paper 10" X 8" 2025 |
Botanical Infusion No. 2
Acrylics, wet-strength tissue paper 12" X 12" 2025 
Botanical Infusion No. 6
Acrylics, wet-strength tissue paper 10" X 8" 2025 |
Botanical Infusion No. 3
Acrylics, drawing paper, 10" X 8" 2025 |
Botanical Infusion No. 4
Acrylics, wet-strength tissue paper 10" X 8" 2025 |
Potential Coming Into Being
Potential Coming into Being No.1
Golden Open acrylics, Bristol board 12" X 10" 2025 
Potential Coming into Being No.5
Golden Open acrylics, Bristol board, wet-strength tissue 10" X 8" 2025 |
Potential Coming into Being No.2
Golden Open acrylics, Bristol board,mounted on cradle board 12" X 12" 2025 
Potential Coming into Being No. 6
Golden Open acrylics, Bristol board, wet-strength tissue 10" X 8" 2025 |
Potential Coming into Being No.3
Golden Open acrylics, wet-strength tissue, mounted on cradle board 12" X 12" 2025 |
Potential Coming into Being
Golden Open acrylics, Bristol board, mounted on cradle board 12" X 12" 2025 |
When Autumn Comes & Autumnal Vein
When Autumn Comes no.1
Acrylics, drawing paper, Posca markers 10"X 8" 2024 |
When Autumn Comes no.2
Acrylics, drawing paper 7"X 5" 2024 |
When Autumn Comes no.3
Acrylics, drawing paper, Posca markers 10"X 8" 2024 |
When Autumn Comes no.4
Acrylics, drawing paper 7"X 5" 2024 |
When Autumn Comes no.5
Acrylics, drawing paper, Posca markers 10"X 8" 2024 |
Autumnal Vein (Extended)
Acrylics, drawing paper, refuse tubes, wood 3.75" X 43" 2025 |
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Marking(ers)
Marking Encounters No. 1
Caligo ink, rice and tissue papers, watercolor, acrylic marker 12" X 12" 2024 |
Marking Encounters No. 2
Caligo ink, rice and tissue papers, watercolor, acrylic marker 12" X 12" 2024 |
Marking Encounters No. 3
Caligo ink, rice and tissue papers, watercolor, acrylic marker 12" X 12" 2024 |
Markers with Interruptions and Flow no.2
Caligo ink, rice and tissue papers, watercolor, acrylic marker 12" X 12" 2024 |
Markers with Interruptions and Flow No.1
Caligo ink, rice and tissue papers, watercolor, acrylic marker 12" X 12" 2024 |
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Lush Land no. 1
Monotype, ink, chine colle, newsprint 12" X 12" 2024 |
Lush Land no.2
Monotype, ink, chine colle, tissue paper 12" X 12" 2024 |
Monitored Shifts
Monitored shifts no. 1
Ink, gesso, collaged paper
6.75” X 7.625
2019
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Monitored Shifts no. 2
Ink, watercolor, graphite, gesso
10.5” X 8”
2019
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Monitored Shifts no. 3
Ink, watercolor, graphite, gesso
11” X 8”
2019
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Monitored Shifts no. 4
Ink, watercolor, gesso, charcoal
11” X 7.75”
2019
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